“I’m a big proponent of being able to eat and pay your bills,” Porter said. Eventually she was able to pursue filmmaking full-time.

Even if you’re your own boss, you’re also your own employee, and you need to earn a living. The film premiered at the Sundance Film Festival in 2013, where it won the festival's "Documentary Editing Award". That gives some kind of ownership to the project.”. “My voice as a filmmaker has to be an integral part of how the film comes out.

Porter's second film project was Spies of Mississippi,[3] which debuted on PBS in 2014. It shows the impact of anti-abortion laws on abortion providers in the South along with chronicling the last remaining abortion clinic in Mississippi. Then you won’t be able to pursue your art or pay your bills.

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[3] The title of the documentary was derived from the term TRAP Laws ("Targeted Regulation of Abortion Providers"), which have led to the closure of hundreds of southern US clinics mainly in areas that service poor women and women of color. Going independent is a double-edged sword. Indeed, IFP Week Zoom panels have chat rooms, where participants can meet and greet and share info. [3], She also produced a biography of Chef Alexandra Guarnaschelli for the Cooking Channel.

Trained as an attorney, she became a filmmaker and financed her first film with assistance from the Ford Foundation. “I know, for me, it’s going to take a long time to raise the money, that I’ll have to work on it for several years. She said it “was no accident” that all three independent panelists — the other being director and producer Garrett Bradley” — were women of color.

Dawn Porter on Trusting Her Gut, Working With Oprah, and Giving Up Law to Make Documentaries Caitlin Brody 1 day ago. Pay some real hard cast now, then defer the payment to when we make up the budget.

When she made the decision to go independent, she didn’t do it right away. But even though people meet IRL or schmooze in rooms, that doesn’t mean networking has to end. Find out more about how we use your information in our Privacy Policy and Cookie Policy. on Sep 20, 2020, Dawn Porter, Garrett Bradley, IFP Week 2020, Soledad O'Brien, Ursula Liang.

“I definitely don’t recommend doing it the way I do it,” Liang said, saying she has to wait for things like funding and finding the right collaborators.

“Under no circumstances should you work for free or ask people to work for free,” she said.

[8] The film was written by Rick Bowers and directed by Porter. They’re all independent, free agents who may team up with a corporate monolith now and then but make their own paths. The News & Documentary … Dawn Porter is an award-winning documentary filmmaker whose work has appeared on HBO, PBS, Discovery, and Netflix among others. In that case you should officially plan out what’s called “deferred compensation.” “It’s not the full amount, but when I raise the budget I’m going to make it up. “That was not a story I would have been able to tell with my levels of experience and power within that organization. She was born in Alexandria, Scotland, but raised in Guernsey. The film also won the Ridenhour Award for best documentary film in 2014. But she had to fight for that success. See more ideas about Dawn o'porter, Dawn porter, Dawn.

Katy Tur, MSNBC Anchor & NBC News Correspondent and Tony Dokoupil, “CBS This Morning” Co-Host, Anchor the First of Two Ceremonies. 16.) Liang recommends making sure every collaboration — from co-conspirators to crew — is represented by some form of documentation. Her first feature post-ESPN, 2014’s 9-Man, was about a tiny streetball tournament in NYC’s Chinatown.

Early life. Dawn Porter is doing well now; she directed two major docs released this year: John Lewis: Good Trouble and The Way I See It, about former White House photographer Pete Souza.

Award-winning documentary filmmaker DAWN PORTER – whose work has ... appeared on a U.K. talk show on Tuesday and claimed that First Lady Melania Trump is sometimes “repulsed” by her husband. “I’m happy to say that within a few years I was back to making what I was initially making.” And don’t forget health insurance. [9] Porter says she decided it was her duty to make this film, after witnessing there was only one abortion clinic in the entire state of Mississippi. Porter started her film career by working as executive producer for various films.

That is not a good place to be.”, Sometimes Liang worries that there simply isn’t enough money to make her story into a movie. “There are 100 people on this call right now and everyone can connect over chat.” She says she was on another panel a few days before where she screengrabbed an interesting project a stranger was working on, planning to follow up to see how it was progressing. That’s when she considers an alternative medium. Porter is a graduate of the Bronx High School of Science, Swarthmore College (in 1988) and Georgetown University Law School. “I was learning on the job. “You should really formalize relationships right away,” Liang said.

“The reason I’m an independent filmmaker is that no one at ABC News would hire me to be a storyteller. [5] Gideon’s Army premiered on HBO in July 2013,[6] and was later nominated for an Emmy Award,[7] and an Independent Spirit Award for Best Documentary Feature.

In a new documentary, “The Way I See It,” (airing on MSNBC on Oct. [10] Due to the film's potent subject matter on abortion, police were hired to stand guard outside screenings, and to check for weapons at the door. She worked at ESPN, making short documentaries about sports. Man v. Nature in the Galapagos. Our community in particular is fighting against monolithic stereotypes and perpetual immigrant status. To enable Verizon Media and our partners to process your personal data select 'I agree', or select 'Manage settings' for more information and to manage your choices. NEW YORK, SEPTEMBER 17, 2020 – The hosts and presenters for the 41 th Annual News and Documentary Emmy ® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS).

“Every time I think about how much money I have to suffer without or would have to raise to make a film, I think, ‘Oh my god, podcasting would be so much easier,” Liang said. So you just have to do it by yourself,” Porter explained. They’ll benefit from being able to see faces, to hear voices with regional American accents, to see different body types. So I did it in stages.” First she went part-time, focusing her energy on developing contracts and getting grants. This Filmmaker Is Standing Up For Women And Reproductive Rights Documentary Filmmaker Dawn Porter discusses her new film, "Trapped," which takes a closer look at how state legislatures are restricting reproductive rights in the deep south, through the use of TRAP laws. On the other, you lack the support system that comes with working for others. “From the very beginning, the conversation was, ‘I am a Black woman, this is a Black film, this is an American film but also a Black film,’” Bradley said.

Dawn Porter is an American documentary filmmaker and founder of production company Trilogy Films. The way I do it takes much longer.”, Then there’s distribution. “The reason I’m an independent filmmaker is that no one at ABC News would hire me to be a storyteller. filmmaker Dawn Porter brings Souza’s work to life, drawing a line from his days capturing Reagan to following Obama, reminding us of the dignity and grace that once served 1600 Pennsylvania Avenue.

If you take on a commission project, you can finish your project within a year or two.

“Whether or not you have the money to pay people in full, you should have stuff on paper.

Before she went indie, Ursula Liang, a director and producer whose documentary Down a Dark Stairwell played this year’s True/False, had a cushy job.

[1], Porter is a graduate of the Bronx High School of Science, Swarthmore College (in 1988) and Georgetown University Law School.

BTL: You had the same editor on both movies, so she must have been kept pretty busy. Trained as an attorney, she became a filmmaker and financed her first film with assistance from the Ford Foundation.[2]. We and our partners will store and/or access information on your device through the use of cookies and similar technologies, to display personalised ads and content, for ad and content measurement, audience insights and product development. In 2009, she also co-executive produced two other films: Serious Moonlight, and What Would Darwin Think? We had to find a way to make sure those things aren’t lost in the process.”, When you work for yourself, you’re also a boss. It’s really important for this community to have screentime, to unpack some of those ideas and stereotypes with faces. Garrett Bradley’s new doc Time, which follows a woman fighting to free her incarcerated husband, was picked up at Amazon thanks to producer Ted Hope, but she knew she had to work closely with the company to ensure they distributed it in a way she liked. “In this Zoom age you can become a kind of chat whore,” Liang said.

That’s been interesting finding that balance between our perception of what’s universal, what’s marketable, and also understanding the reality of us being nuanced human beings.

“That’s a community that doesn’t have a lot of representation onscreen. Porter was lucky to be insured through her husband, but she recommends seeking out other options if you’re an indie filmmaker without such means.

“It’s so often that there are no spaces for us.”, Being independent often requires patience. There’s so little representation that every little bit helps.”, There’s also a super-sized elephant in the room, especially noticeable because IFP Week 2020 panels are all being done remotely, over Zoom: The pandemic has completely changed how filmmaking is done. Because even with friends, things get complicated.” Liang knows that sometimes you can’t pay people right away — that you may have to wait for more money to come in, for the budget to be finalized. In 2011, she co-executive produced The Green, a romantic drama feature film directed by Steven Williford. The three filmmakers who participated in the IFP Week 2020 panel “Blurring the Lines of Storytelling: How Do I Get My Story Out,” moderated by journalist, author and philanthropist Soledad O’Brien, know that all too well. And don’t forget to pay yourself, advised Bradley.

Dawn Porter is doing well now; she directed two major docs released this year: John Lewis: Good Trouble and The Way I See It, about former White House photographer Pete Souza. But she had to fight for that success.

[citation needed][11], Learn how and when to remove this template message, Independent Spirit Award for Best Documentary Feature, "Nominees announced for the 35th annual news and documentary Emmy awards", "Spies of Mississippi: Filmmaker Dawn Porter Tells Shocking Story", "Abortion providers secretly arrive at Sundance to support the documentary Trapped", "Chefography, Cooking Channel Alex Guarnaschelli", https://en.wikipedia.org/w/index.php?title=Dawn_Porter_(filmmaker)&oldid=981125055, BLP articles lacking sources from February 2017, Articles with unsourced statements from February 2017, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 September 2020, at 12:38.

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